2023年5月10日，2023年WLA世界景观建筑大奖专业奖决赛入围名单正式发布，佳联设计作品【昆明绿城·柳岸晓风】入围【已建成-商业住宅设计】类别，将与入围的其它7个项目共同角逐该类别的卓越奖和优异奖，决赛结果将于5月23日公布。

On May 10, 2023, the final list of WLA 2023 World Landscape Architecture Award Professional Award was officially released. Kunming Green City · Liuan Xiaofeng by JL Design was shortlisted in the Completed - Commercial Residential design , and will compete for Excellence Award and Merit Award together with other 7 shortlisted projects. The final results will be announced on May 23.

 

 

 

 

世界景观建筑大奖（WLA）是全球范围内最具含金量的景观设计大奖之一，由世界景观建筑（World Landscape Architecture）网站每年举办，旨在表彰全球景观设计师们的杰出工作和优秀成果，并推动行业在全世界范围内的良性及创新发展。

The World Landscape Architecture Awards (WLA) is one of the most prestigious landscape design awards in the world. It is held annually by the World Landscape Architecture website to recognize the outstanding work and outstanding achievements of landscape architects from all over the world. And promote the sound and innovative development of the industry worldwide.

 

▲本届评委

 

▲网页截图

 

 

昆明绿城·柳岸晓风

Greentown Liu’an Xiaofeng ,Kunming

 

 

绿城柳岸晓风位于中国云南昆明，一个有着高原地域特征的多民族文化汇集的城市（别名春城）。在这进深仅52米，长约132米的狭长基地中，设计师最想做的是“疗愈”，通过套院结构，将对云南风物的理解融进社区，让社区居民回归到自我恬适、身心放松的自恰状态。

Greentown The Willow Shores is located in Kunming, Yunnan province, China, a city with plateau regional characteristics and multi-ethnic cultures (also known as Spring City). In this long and narrow base with a depth of only 52 meters and a length of about 132 meters, what the designer most expects to do is "healing". Through the structure of the courtyard, the understanding of the scenery of Yunnan province will be integrated into the community, so that the residents of the community can return to their own comfortable state of physical and mental relaxation.

 

设计师巧借云南经典民居“三间六耳下花厅”的形式，将花厅和院落结合，增加了游走的趣味的同时，又成为串联起内外的屏障。通过层层递进的院落形式、以及空间的开合处理，并借树、借天光，形成了小中见大、院中有院的空间体系。

The designer has cleverly used the form of the "three rooms and six transepts under the flower hall" of Yunnan's classic folk houses to combine the flower hall with the courtyard, which not only increased the fun of walking, but also established a barrier connecting the inside and outside. Through the progressive courtyard forms and the opening and closing of the space, with trees and skylights, a space system is created that develops the big in the small where there is courtyard within a court.

 

入口——保留原生林生态

Entrance—preserve the ecology of original forest

入口隐藏在一片原生密林中。设计师进行低干预度的地被清理以方便场地进出，最大化的保留场地原有的生态，形成若隐若现的幽静的城市界面，建立基地与城市的平等对话，保留了场地那份原有的温润。

The entrance is hidden in a native dense forest. The designer cleans up the ground with low intervention to facilitate access to and from the site, maximizes the preservation of the original ecology of the site, forms a partly hidden and tranquil urban interface, establishes an equal dialogue between the base and the city, and retains the primary warmth of the site.

 

当人们拾级而上，斜坡屋顶长廊加上金属织网进一步降底亮度，为随之一转一顿后的豁然和花厅的自然之气创造更加强烈的内外感。它好似一个玄关，连接着阴郁与光明。

When visitors go up the stairs and turn around, the sloping roof promenade and the metal mesh further reduce the brightness at the bottom, creating a stronger sense of inside and outside for the suddenness after a turn and the natural atmosphere of the flower hall. It is like a porch, connecting gloom and light.

 

花厅——巧借民居结构与高原光线

Flower Hall — By skillfully using the structure of residential buildings and the light of the plateau

 

进入花厅，人们漫步其中，感受那一份院落裁减之后的典雅。通过地平的抬升和降低，来让每一次进出具有顿挫感；同时在院落交替和植被冠幅的收放中，让身体和材料有轻触感。

When entering the flower hall, visitors can feel the elegance after the cutting of the courtyard while walking. Through the raising and lowering of the ground level, every entry and exit has a rhythmic flow; at the same time, the body and materials have a light touch during the alternation of courtyards and the retraction of vegetation canopies.

 

面对极强的高原光线，设计师通过空间裁剪，将不同时候的光引入院中，并借助乔木、地被、多边形铺装，营造院落沉稳内敛的格调。

In the face of the strong plateau light, the designer introduced the light at different times into the courtyard through space cutting, and created a calm and elegant style of the courtyard with the help of trees, ground covers, and polygonal paving.

 

庭院——高原红土地的转译

Courtyard — Translation of Plateau Red Soil

 

在中心庭院，设计师同样保留了外围的原生林，节约资源的同时，维持了小范围的生态平衡，同时还能有效的屏蔽墙外的建筑和喧嚣。同时植入16棵朴树，内外相照，如同将原生林引入中庭，并仿苔藓的覆盖缓丘，让山野的葱郁和林下的幽静渗入园中，打造出一幅倪瓒画风式的半亩方塘。

In the central courtyard, the designer also retained the peripheral original forest, saving resources while maintaining a small-scale ecological balance, and effectively shielding the buildings and noise outside the wall. Simultaneously, 16 hackberry trees were planted to reflect the interior and exterior, as if the primary forest was introduced into the atrium, and the gentle hills covered with moss imitated the lushness of the mountains and the tranquility of the forest infiltrated into the garden, creating a small square pond in the style of Ni Zan's painting.

柳岸晓风能获此殊荣，首先应该感谢绿城中国给予了我们抒展的契机，感谢甲方领导在整个过程的运筹帷幄，同时感谢设计团队的创新创意，感谢合作伙伴的倾力配合！对于“疗愈“场所的打造，这仅是一个开端，接下来我们将继续深入探索研究，呈现出更多的作品！

To win this award,we should first of all thank Greentown China for giving us the opportunity to express the exhibition, thank Party A's leadership in the whole process of devising strategies, thank the design team for the innovation and creativity, thank partners for their full cooperation! This is just the beginning of the "healing" place, and I will continue to explore and research further and present more works!